Martin Wesley-Smith's 2010 BLOG |
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an incomplete and opinionated ramble through miscellaneous events, performances etc so far in 2010 ...
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Thursday December 30 2010:
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Tuesday December 28 2010:
Had a lovely Christmas in Kangaroo Valley, with my family and an American WWOOFer, Aussie Cyn.
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Have finished a short article, published on-line by the Australian Music Centre:
The other day I came across the following passage in a blog by young Australian composer Aristea Mellos:
Interesting comment. I had the same feeling when I was at the Sydney Con - and I was a lecturer there. I never discovered what the justification was for imposing a particular aesthetic. In fact, officially, no aesthetic was imposed. But most students quickly worked out that the way to academic success, and to success as a composer, was to adopt the aesthetic that appeared to be dominant in their lecturers' own music and in concerts, broadcasts etc. My belief was - still is - that students should be encouraged to study, and try their hand at, as many different styles, idioms, techniques, sound resources etc as possible on their way to discovering their own voice. These include instrumental, electronic, vocal, choral, orchestral, computer, free-form improvisation, "sound art", tonal, atonal, serial, minimalist, complexist, the styles and idioms of popular music, even country and western - and so on. Experience with a variety of these improves students' facility with sounds, which is what I believe compositional technique to be fundamentally about.
One of the first times I stepped out of the dominant aesthetic was in 1979, when I composed an a cappella choral piece, Who Killed Cock Robin?. Later that year, on a trip to the USA, I went to see Sondheim's Sweeney Todd on Broadway, and discovered that Sondheim had been a student of Milton Babbitt's. I suspected then that had he been living in Australia he might not have felt free enough - would not have been given permission, in effect - to move out of so-called "serious art-music" into musical theatre. But it was now the late 70s, and the exuberance of that decade had not yet succumbed to the button-down 80s. I decided, somewhat naively, to follow Sondheim's example and start work on an opera/musical/music theatre sort of thing.
Seven years later, the piece - Boojum!, based on Lewis Carroll's epic nonsense poem The Hunting of the Snark, with lyrics by my brother Peter Wesley-Smith - was produced by State Opera of South Australia at the 1986 Adelaide Festival of Arts. Although the piece was successful at the box office, and received some positive reviews, for me the whole experience was a nightmare, for the piece was chopped and changed with no regard for our intentions and without our permission. When I objected, I was sent to Coventry by the cast and most other people associated with the production. I am still being pilloried by some, including Anthony Steel, the Director of the Adelaide Festival back then, in a recent book. My crime? Objecting publicly to our piece being re-written. Big no-no. As a result, the Australian theatre door was slammed shut.
Some people in the so-called "serious art-music" scene concluded that my writing a "musical" was further evidence - post-Cock Robin - that I was not to be taken seriously as a composer. This included electronic music colleagues - yet none of them had heard the work or seen the score. To be a composer in Australia back then was to be put into a box from which one was not allowed to escape. No straddling of multiple boxes allowed.
After Adelaide we put the show back to what it was, made a few minor changes, and had it performed a couple of times in concert. For a forthcoming recording - by the Sydney Philharmonia Motet Choir, conducted by John Grundy - I did a new score, arriving at the definitive version. Three more concert performances later, one in Newcastle, two in America, Boojum! found itself on the shelf - alongside many other Australian music theatre pieces - unloved, forgotten, for years ... until:
In early 2009 I received a letter from American composer and director Eric Reda. It turns out that many years before, as he was starting university, he was working in a newly-opened CD store in Phoenix, Arizona. He came across the CD of Boojum! (on the Vox Australis label) and immediately fell in love with it. "I recently founded an alternative opera company dedicated to creating new works ...", he wrote. "I am looking back at my beloved recording of Boojum! and think that it might be the perfect addition to our season." Fast forward to November 18 2010, and the show, a co-production by Chicago Opera Vanguard and Caffeine Theater, opened at the Storefront Theater, Chicago. It finished, 22 performances later, having enjoyed general audience acclaim and a dozen or so positive reviews.
The director, Jimmy McDermott, asked us about a cut he wanted to make, to which we readily agreed (it was exactly the same as one we'd made ourselves in a concert performance years before). Apparently there was no need to toss out our material and put in scenes written - words and music - by others. Our piece was treated with great respect by a production team determined to make it work brilliantly. And they did, as various crtics commented. "Boojum! makes Carroll's unimaginable nonsense unimaginably human", wrote Chris Vire in Time Out Chicago. Gaper's Block wrote: "Nonsense and confusion aren't usually the aim of an opera, but Boojum!'s Gilbert-and-Sullivan-meet-David-Lynch vibe is pulled off admirably by the small cast. Confusion, silliness, and vagary may be the best possible way to explore the life and work of such an unusual and surprising man as Lewis Carroll (and his moral counterpart). When executed with beauty and imagination, as it is here, the overall effect is much like the general delight one feels when reading one of Carroll's famous stories." Hedy Weiss, Theater Critic of the Chicago Sun-Times, selected our work as one of 2010's "Best Moments in Theater" in the category "The bold and the quirky".
Boojum! is not an opera. But it's not a musical comedy either. It's somewhere in between. But there was no box for it, so sometimes it was put into the opera box ("the composer is always responsible for supplying the orchestral score and parts"), at other times into the musical comedy box ("musicals get re-written all the time") - whatever suited the Adelaide production team. But Chicago Opera Vanguard and Caffeine Theater took no notice of that. They simply got on with producing the work in front of them, whatever it was, with great integrity as well as skill. I was struck by their generosity: not only did they produce an unknown work by unknown Australians, but they flew us there, provided accommodation, and invited us to critique their production.
Of course, one can't generalise about an arts scene as huge and diverse as America's, but all my experiences there have supported Aristea's implication that American generosity transcends any notion of preferred aesthetic. In comparison, our scene here is tiny. In a small pond it's very easy for a few big fish to dominate, whether they intend to or not. In my view, we need to make sure that aesthetic diversity is not only tolerated but encouraged.
My name might not be up in lights, but it did feature on a Chicago street banner (click to see whole banner):
Hedy Weiss, Theatre Critic of the Chicago Sun-Times, selected Boojum! as one of 2010's "Best Moments in Theater" in the category The bold and the quirky:
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more things Carrollesque:
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Thursday December 16 2010:
One of my favourite columnists is Mark Morford of SFGate, home of the San Francisco Chronicle. In an article called Five things that change everything, published yesterday, he wrote:
It's because Wikileaks is just terrifically embarrassing, humiliating to the bone, so lucid and detailed in its anatomy of the dark and heartless political soul, it will be years before its sundry nasties are fully unpacked and absorbed.
This is the real reason Washington and world governments alike are so alarmed by Wikileaks' revelations. It reveals most of them to be world-class charlatans and fools, dictators and megalomaniacs who would eat their own babies for a glimpse into each other's personal Dear Diaries. Same as it ever was? Sure. Only much, much worse.
The humiliation, the awkwardness, the ugly maneuverings are simply off the charts. Wikileaks is global politics, banking, diplomacy, war stripped ugly and flea-bitten and bare. More civilian deaths, abuses of power, assassination attempts, botched raids, illegal air strikes, wasted funds, inane acts of spying and clandestine backroom dealings than even these thousands of pages can capture.
Truly, the banality of global political evil has never been this exposed. Hell, even the Vatican is condemning Wikileaks over revelations about its own pathetic sex scandals in Ireland. In my book, that alone makes Julian Assange a goddamn saint.
[more]
Naomi Wolf:
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Tuesday December 14 2010:
Only four more performances of the Chicago Opera Vanguard and Caffeine Theatre production of Boojum!: Thursday, Friday and Saturday at 7.30pm and Sunday at 3pm. Buy your tickets now!
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Reading a blog by young Australian composer Aristea Mellos, now studying in the USA after undergraduate studies at the Sydney Conservatorium of Music, I came across this:
This was something I railed against for most of my 26 years' teaching at the Conservatorium. Forcing a particular aesthetic on student composers, with zero intellectual justification, was often unproductive, even damaging. I was all for an eclectic approach that encouraged students to find their own voice, perhaps after trying their hand at various different idioms. Too many original voices have been silenced by conventional composition teaching, and by examination processes that favour those who toe the current conventional line.
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Monday December 13 2010:
William Bowles in yesterday's Information Clearing House:
The state/media argues that when engaging in foreign relations, if diplomatic notes are to be effective they have to be private. Okay, aside from around 250,000, they are. Carry on with whatever it is you're doing but bear in mind we know what you really think. You're not a special breed, apart from the rest of us and you do things in our names allegedly endorsed by a vote every few years. A vote that gives state policies the stamp of our approval. Remember, these are the same people that supply information that contributes to people being blown up somewhere in the endless wars being waged by capital around the planet ...
The release of these cables is an historic event for they forever transform the relationship between the state and its citizens. They blow away the illusion that our leaders are honourable men and women rather than mere servants of capital ...
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It feels like WikiLeaks is providing a watershed moment in the history of capitalism. We've been kept in the dark, and fed bullshit, for too long. People around the world who believe in the democratic values that our leaders say they are bringing to poor benighted people in other lands (those who have oil, anyway) will be forever cynical of what those leaders claim ...
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On Saturday I attended a locally written and produced pantomime called The Woman Who Lived in a Shoe: very funny, very well done! Written by Sean Kramer, who starred, in drag, as Old Mother Hubbard, it was enjoyed by children and adults alike.
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Thursday December 09 2010:
photo: Carmen Valino for the Guardian
One may well ask whether her denunciations would be so shrill if the documents had been handed to a powerful newspaper group - if the contents were being dribbled out by The Australian, would she be accusing Rupert Murdoch of high crimes and misdemeanours?
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[Political risk in making a martyr of Assange, Dec 9 2010]
When Labor politicians show abysmal ignorance and no respect for human rights such that a conservative politician has to set them right, the world must be upside-down. Sense and nonsense become the same.
"Those through the looking-glass know" (Boojum!)
see Robert Scheer: From Jefferson to Assange; Julian Assange: The Truth Will Always Win
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It's thirty years since John Lennon was fatally shot. I pay tribute to a great activist and popular music song-writer and performer.
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The Thirsty Night Singers have started rehearsing again after my time in the US of A. Next performance is at a Christmas party at Bellawongarah.
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Tuesday December 07 2010:
Today is the 35th anniversary of the Indonesian invasion of East Timor. It's also the last day of the Australian cricket team's craven capitulation to England in the second test of the current Ashes series.
An entry on facebook, today, by a woman referring to her young daughter:
This, from a member of the cast:
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When I was in San Francisco the other day I caught up with old friend trombonist Miles Anderson. He found a couple of shots of us both from the early 80s:
Miles and his wife, violinist Erica Sharp, commissioned my piece White Knight & Beaver (a study for Boojum!), and performed it many times. They also commissioned Pip!, a kids' piece in which they played, narrated and sang.
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Monday December 06 2010:
Am home, after a few days in San Francisco. More reviews of Boojum! in Chicago:
Chicago Tribune Chicago Stage Review Chicago Broadway World Gapers Block
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Today is my younger daughter Alice's 30th birthday. Happy birthday, sweetheart!
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Monday November 29 2010:
After nearly a week in New York City, I'm in Las Vegas, on my way home, staying with friends. I've been in the USA for a totally-wonderful Chicago production of my music theatre piece Boojum!. Dan Cox, of Chicago Opera Vanguard, wrote that Boojum! was the "Critics' Pick" of the weekend on Chicago Public Radio!
Reviews that have accumulated so far include:
Around the Town New City Stage Chicago Reader ChiIL Mama and The Fourth Walsh
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Thursday November 18 2010:
I'm in Chicago, where last night I saw the second, and final, preview of Peter's and my full-length music theatre piece Boojum!. I am thrilled to be able to report that it's a wonderful production, with every element contributing strongly to the whole piece. Opening night is tonight. If I can I'll post critical reactions here as soon as they are received ...
later: the show on opening night was even better than at the final preview, and was a great success with the audience. I'm delighted! More later.
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Saturday November 13 2010:
Polish composer Henryk Mikolaj Gorecki has died after a long illness. He was 76. From the ABC News website:
Focused on motherhood and the ravages of war, Gorecki's Symphony No 3 or Symphony of Sorrow Songs, gained critical acclaim and worldwide popularity after its 1992 re-release featuring American soprano Dawn Upshaw.
Having topped the charts in both Britain and the United States, it sold more than a million copies worldwide, becoming one of the world's best-selling pieces of contemporary classical music ...
[more]
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Am packing to go to Chicago for the opening night of Boojum!. The work had a theatrical production at the 1986 Adelaide Festival of Arts, and has had a few concert/semi-theatrical performances, in Australia and the USA, since. There has been nothing, however, for twelve or so years. Needless to say, I'm delighted it's getting another run! Watch this space for news of opening night and the work's reception.
The excellent double CD of the work - by the Sydney Philharmonia Motet Choir, now called The Chamber Singers - is still available (click here). Strangely, there is no mention of the recording of Boojum!, or of the work itself, on Sydney Philharmonia's website. Nor is there any mention of Songs for Snark-Hunters, a work of ours that Sydney Philharmonia commissioned and premiered under the baton of Peter Seymour ...
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Sunday November 07 2010:
Yesterday's recording session by The Thirsty Night Singers, at 313 Studios in Nowra, went pretty well, all in all. We recorded the following songs:
The Father's Song (a lullaby by Ewan MacColl) The Fighters Who Fell (traditional melody from East Timor, based on a poem by Xanana Gusmão) Hai Tanahku Papua (based on the national song of West Papua) Hey Ho Cook and Rowe (by Peggy Seeger, based on an English folk-song) I Want to be Ready (traditional) In This Heart (by Sinead O'Connor) The Irish Blessing (we learnt this from that great vocal quartet The Idea of North) Mad World (by Roland Orzabal) Old Coat (a love song) She Wore a Black Ribbon (about Australia's Stolen Generation) Shut the Gate (Australian song for kids) Since You Went Away (lyric by James Weldon Johnson, music by Otto Mortensen, another song we learnt from The Idea of North) Special Days (words and music by the late Jeremy Wesley) When I Fall in Love (lyric by Edward Heyman, music by Victor Young) We'll put all that onto a CD, for our own purposes only (we don't plan to sell it, even though we had many requests for a CD after our bracket at the recent Kangaroo Valley Folk Festival).
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The latest from Chicago Opera Vanguard re their joint production (with Caffeine Theatre) of Boojum!:
Opening night is November 18. Total of 20 performances. Tickets selling fast!
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From an email from the Australian West Papua Association (Sydney):
It's all reminiscent of the trial of the Kopassus soldiers who were found guilty of involvement in the killing of Chief Theys Eluay, who was killed in November 2001. At that time the chief of staff of the army, General Ryamizard Ryacudu was quoted as saying (in reference to the soldiers on trial) "I don't know, people say they did wrong, they broke the law. What law? Okay, we are a state based on the rule of law, so they have been punished. But for me, they are heroes because the person they killed was a rebel". The soldiers received light sentences of imprisonment ranging from two to three-and-a-half years. If the soldiers on trial for the latest incident of torture do not receive sentences befitting their crime, it will indicate to the West Papuans that the military can act with impunity and that they can receive no justice under Indonesian rule ...
It's all reminiscent of what happened in East Timor, where the Indonesian military did act with impunity, killing hundreds of thousands of people during Indonesia's illegal invasion (1975) and occupation (1975-1999).
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Friday November 05 2010:
A review by Graham Strahle of my Tall Poppies CD Merry-Go-Round has appeared in the November 2010 issue of Music Forum. Here's an excerpt:
To read the whole review (and other reviews), click here. The catalogue number of Merry-Go-Round is TP200.
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Have just listened to a pre-release copy of a recording by Guitar Trek of my guitar quartet Songs & Marches. Yo!
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From The Independent, October 26 2010:
To read the rest of the article, click here.
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Wednesday November 03 2010:
The a cappella vocal group I sing in and direct - the seven-member Thirsty Night Singers - is going into a recording studio next Saturday to record the best of our current repertoire, including some songs of mine e.g. the kids' song Shut the Gate (lyric by Ann North) and several songs with lyrics by Peter Wesley-Smith: She Wore a Black Ribbon (about Australia's Stolen Generation); Hai Tanahku Papua (new words to a setting of the West Papuan anthem); Old Coat, a love song; The Fighters Who Fell, based on a poem originally written in Portuguese by East Timorese resistance leader Xanana Gusmao (now Prime Minister of East Timor), set to the melody of the Timorese folk song Kolele Mai; and Billiards, a conservation song arranged for SSATTB (the score for this can be downloaded, for free, here (one page, 48KB); MIDI files: SSATTB, S1, S2, A, T1, T2, B).
Talking of West Papua, check out the short film Act of Free Choice, directed by Mark Worth (1958-2004) with music by David Bridie:
As the blurb says, this "is a precursor to (Mark Worth's) outstanding documentary Land of the Morning Star and succinctly outlines the political history of West Papua to date. Act of Free Choice is the title of David Bridie's debut solo album ... It later appeared on the 5-track Act of Free Choice EP ..."
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The recording of my piece for cello & piano, Morning Star, which also uses the beautiful melody of Hai Tanahku Papua, has been postponed till February next year. It had been scheduled to take place last weekend in Melbourne.
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Everything is apparently progressing well and on track for the Chicago production of Peter's and my full-length work of choral music theatre Boojum! (opens November 18). Someone associated with the production (by Chicago Opera Vanguard and Caffeine Theatre) wrote the other day to say:
For more information about the production, click here. To buy the double CD of the work (by the Sydney Philharmonia Motet Choir), click here.
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from an article by Juan Cole in yesterday's Information Clearing House:
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Exactly. What next? More religious bigotry from American Christians, followed by more attacks by Muslims?
While the Australian establishment huffs and puffs about the lack of respect shown by the man who threw his shoes at ex-Prime Minister John Howard during a recent television program (Rupert Murdoch's Daily Telegraph described him as a "pest"), American pundit William Rivers Pitt gets down to business (excerpt):
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Rather than shoes, Howard should have the book thrown at him - the War Crimes book. He claims that invading Iraq was the "right decision". Let him argue the point as a defendant in the International Criminal Court.
Of many readers' responses to the article above, I particularly like this one (excerpt):
All these traitors deserve nothing less than the worst torture imaginable: let them drink coliform-infested water, get cholera, work in mines, eat mud cakes for dinner, go without homes, and die from the common cold. Failing that, hang every last politician who fails to represent the best interests of the rest of us. They've declared war on us, and time is past to turn the one-sided war against us into a one-sided massacre of the rich and powerful.
Well ... it's a little extreme, perhaps. I don't believe in capital punishment, so the rest of their lives in jail would have to do. Nor do I condone torture, whoever does it. And being rich and powerful doesn't necessarily mean that one is a criminal. But I like the general sentiment ...
I'm at the age where increasing numbers of my friends and ex-colleagues are popping off, the latest being Australian music mover-and-shaker James Murdoch [1930-2010], who died on Monday in Bali (his home for many years). Read more here.
Have just spent most of the weekend at the Kangaroo Valley Folk Festival - very enjoyable! The Shoalhaven's own Thirsty Night Singers did a 25' bracket that was very well received. Other than that, the highlights for me were Mal Webb, Totally Gourdgeous ("Imagine Joni Mitchell and James Brown getting down in Bob Marley's pumpkin patch via the Muppets"), The Miriam Lieberman Band, and Doc Jones and the Lechery Orchestra. Once was when folk festivals consisted of traditional folkies, singer/songwriters, and not much else. Over this weekend there was that, but it was within a much broader range of performers and material. No-one seems too fussed about the word "folk" these days, its definition being more about what it's not than what it is (it's not, for example, something whose main inspiration is/was Top 40 success). The result on the weekend was lots of joyous, eclectic music-making, some of it played with astonishing musicianship.
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Last Friday I said goodbye to a lovely French WWOOFer couple who'd been staying for a week, working in the garden (one of them is a chef, and cooked some beautiful meals, including the best crepes suzette I've ever tasted). Around 1.30pm I received a call from a friend and neighbour who said he'd cut his hand and could I come over? I did so to find that he'd had a serious accident with a circular saw. I took him into the local ambulance station, then followed the ambulance into Shoalhaven District Memorial Hospital, where it was discovered he'd lopped the tops off two fingers and seriously damaged a third. Not a pretty sight. One heck of a way to lose weight.
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Friday October 22 2010:
For a selection of YouTube videos about West Papua, and the violence the Indonesian military is inflicting there on the indigenous population, click here.
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Have just come across a review by Oleg Ledeniov, dated September 2010, of my chamber music CD Merry-Go-Round (Tall Poppies TP200), which contains the following paragraph about my piece of the same name (about Afghanistan):
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In a review in the July 2010 Limelight magazine, Ken Page concludes: "An imaginative CD of great warmth and depth".
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Wednesday October 20 2010:
As always, Sister Susan Connelly, of the Mary MacKillop East Timor Mission in Sydney, puts her finger on the issue in a letter to the Editor published in today's Sydney Morning Herald:
The price of protecting "our people" in Indonesia is compromising to say the least: mouthing mild exhortations about human rights while funding and training human rights abusers ("Abuses will not stop co-operation with Indonesia", October 19).
Reports of Indonesian military and security personnel torturing Papuans are disturbing but not surprising. Criminals who get away with their crimes are likely to offend again.
The only outcome of 24 years of violence against the Timorese by the Indonesian military apparatus was a little egg on the face. No one was convicted or even charged, except a Timorese militiaman who got off on appeal.
The Indonesian military's impunity in Papua is a result of the refusal of Indonesia and its Western friends to bring to account previous crimes against humanity.
I've just finished a revision of my piece Morning Star, for cello & piano, which is due to be recorded for CD (Tall Poppies) by cellist David Pereira and pianist Timothy Young at the end of the month. It sets a hymn - Hai Tanahku Papua - written in the 1930s by Dutch pastor Rev'rend I. S. Kijne, that has become West Papua's national anthem. I've also used that melody in Papua Merdeka, for bass clarinet and sounds and images on computer. The Thirsty Night Singers sing an SATB version of it (and will possibly include it in their bracket at next Saturday's Kangaroo Valley Folk Festival).
Speaking of Mary MacKillop, a sensible letter from Robert Springett of Ermington also appears this morning. Excerpt:
The Catholic Church has co-opted (Mary MacKillop) for its own purposes; it has set up the pretence that Mary is ''one of them''. But look at her story. She took a stand against the church, to the point of being excommunicated. And she is not alone in this regard.
Joan of Arc is probably the best known saint who was convicted by an ecclesiastical court and burnt for heresy. St Francis, famous for his pacifism, was a living rebuke to the Pope who waged war.
Only after they are conveniently dead, and thus unable to speak for themselves, does the church creep in and steal their clothes, presuming to claim them as its own ...
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Another letter in this morning's SMH speaks good sense about the situation in Afghanistan, which the Australian Parliament is debating at the moment. It's from Benjamin Gilmour of Lane Cove:
What evidence, if any, has convinced Julia Gillard and Tony Abbott that Afghanistan will look any different in another 10 years ("War strategy is right: PM", smh.com.au, October 19)? After a decade of trying to shove the Afghan constitution down the throats of tribal Pashtuns at gunpoint, our predicament is unchanged and they refuse to swallow. In the process we have sponsored warlords, murdered thousands of civilians and sacrificed our young soldiers.
Gillard is misleading, too, about the truth of our mission. Australian troops are not only training the Afghan forces, but still hunting the insurgents we are supposed to be negotiating with. And now, for another 10 years, we will continue to see our soldiers killed and injured with no proof of any benefit to the people of Afghanistan or the security of our nation.
Australian leaders are so blinkered in their devotion to our alliance with the USA that they will sacrifice as many Australian soldiers as it takes. Click here for an article on the current debate.
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In a news report in today's SMH, it is reported that Prime Minister Julia Gillard:
President of the Victorian Trades Hall Council Kevin Bracken told ABC Radio the 2001 attacks on the United States were not properly understood.
"In my mind the buildings were imploded," Mr Bracken said today. "Aviation fuel doesn't get hot enough to melt steel and no high rise steel frame building before or after September 11 has ever collapsed due to fire."
Ms Gillard was questioned on the comments during parliamentary question time. "Obviously I don't agree with the remarks, obviously they are stupid," Ms Gillard said ...
[read more here]
Apparently our Prime Minister is an expert on the way high buildings fall, and on aviation fuel and the temperature at which steel melts. I think that rather than dismiss Mr Bracken's view out of hand, Ms Gillard should come up with evidence that refutes it. It is frightening to have a leader so in thrall to America that she is prepared to believe, without question, everything its government says. By calling someone's comments "stupid" she is trying to close down debate rather than encourage it.
New independent MP Andrew Wilkie is an ex-military man and intelligence analyst. His contribution to the debate included the following:
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Spot on, Mr Wilkie.
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Wednesday October 13 2010:
I subscribe to several email newsletters, including t r u t h o u t, Tom Feeley's Information Clearing House (subscribe), and IPS News - Iraq and the Middle East. The latest IPS newsletter contains an article by Jim Lobe called Nine Years in, Afghans Don't Trust U.S.:
As the Australian parliament prepares to debate the situation in Afghanistan - amazingly, for the first time - I am almost dumbfounded that Western troops - including Australians - remain there. By what right did they invade? By what right do they still occupy the country nine years later? Nine years! That's longer, by far, than World War II. Not finding bin Laden, which was the initial justification for the invasion, the Crusaders thought they would overthrow the government and bring democracy, and freedom, to the people, even though the people didn't request it. The whole enterprise has been a disaster - a quagmire to rival the Western invasion of Vietnam in the 1960s and 70s - yet Australia's Prime Minister and Leader of the Opposition are falling over themselves trying to outdo each other in their enthusiasm for it, even though a majority of Australians think Australia should pull out. There will be a lot more lives lost, including those of Australian soldiers, before the Invaders declare victory and depart, whereupon the Taliban will take their country back. And it is their country, not ours. I detest their policies, but overthrowing them should not be anyone's business but the people of Afghanistan. As it happens, everything - e.g. conditions for women, heroin production - is far worse now than it was before the invasion, despite the huge expenditure of money and blood. And getting worse ...
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A couple of days ago Australian coloratura soprano Dame Joan Sutherland passed away. There have been many tributes from opera-lovers all over the world, including some on an ABC News website. Peter of Mitcham, for example, wrote:
This is typical of the adulation and respect shown in the published tributes. There was one, however, who chose the occasion to contribute the following:
This attracted various attacks e.g.
and
The Australian parochial responded:
Fair enough, in my opinion.
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In a discussion on Facebook this morning, someone posted the following:
to which I replied:
It's humiliating for a composer to go cap in hand to performers asking that they deign look at a score of hers/his. And it can be very expensive: I have spent thousands of dollars sending scores to performers, rarely receiving even an acknowledgement. I now rarely bother, simply accepting that most performers have no concept of the need to help develop local culture or to give a helping hand to struggling composers - they unthinkingly perform music by 200-year-old dead white European males, thus helping to perpetuate classical music's grip on "music-lovers" and arts funding ...
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My lyricist/librettist Peter Wesley-Smith is currently lecturing at universities in South East Asia.
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This coming Saturday the a cappella vocal group I sing in and direct, The Thirsty Night Singers, is performing at a private recital by brilliant harpist Alice Giles. Our bracket might include - if we get it together in time - a new arrangement I did recently of an old kids' song of mine called Shut the Gate.
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Saturday October 9 2010:
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Rachel Tolmie (oboe) and Rachel Scott (cello) have recently recorded for CD release my Intervention, originally for soprano & cello, then arranged for clarinet, then flute, then oboe. It's a simple little piece consisting of one of the Minuets from J. S. Bach's Suite for Solo Cello No. 1 with a melody of mine played on top, in the tradition of the Bach/Gounod Ave Maria.
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Yesterday would've been John Lennon's 70th birthday. It's interesting that in 1972 the Nixon White House - infuriated by Lennon and Yoko Ono singing "Give Peace a Chance" at anti-war rallies, and suggesting people vote against Nixon - ordered that Lennon be deported. Various artists, including Joan Baez and Bob Dylan, wrote to the US immigration service on Lennon's behalf. See Bob Dylan's Defense of John Lennon by Jon Wiener, The Nation, Oct 9 2010.
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Tuesday October 5 2010:
Indiscriminate violence by Indonesian soldiers against West Papuan citizens continues:
A crowd had gathered outside the Jayawijaya Police headquarters peacefully but vibrantly demanding the return of uniforms and legally approved paraphernalia for the Petapa, or Regional Indigenous Council Civil Bodyguard. Police officers escalated the situation without warning and with full force, as they came running from the Police office firing live rounds into the air and at the crowd according to witnesses interviewed by a local human rights team today.
ISMAIL LOKOBAL, 34, died after being shot in the heart outside the local DAP (Dewan Adat Papua, or Papuan Customary Council) office. POLRI officers had chased the crowd, firing indiscriminately toward them, and chased down most of the victims as they attempted to seek refuge in the DAP office ...
from West Papua: Indonesia shoots three community security guards in Wamena on Pacific Scoop by Nick Chesterfield, West Papua Media Alerts
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Yesterday, Dumma Socratez Sofyan Yoman, President of the Fellowship of Baptist Churches of Papua, issued a press release in Jayapura decrying the continuing violence committed by the security police. He was a good friend of my aunt, the late Sheila Draper.
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Sunday October 3 2010:
At 5 o'clock this morning, my Aunt Sheila - Sheila Draper - was "called home", as she would have put it. For many years a Baptist missionary in West Papua and Papua New Guinea, she'd been looking forward to being with her Maker and being reunited with her mother, husband Norm, son John and others. A funeral service is being planned for Friday in Batemans Bay (I'll post details here when I have them).
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Saturday October 2 2010:
Yesterday my beautiful Aunt Sheila - Sheila Draper - suffered a massive stroke. She is not expected to survive the weekend. Watch this space for updates on her condition ...
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I've just spent another few days working at the National Film & Sound Archive in Canberra, going through and identifying materials of mine that I've deposited there. A short article of mine, with a couple of photos, appears on the NFSA blog (scroll down the page).
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On Thursday I drove from Canberra to Sydney to attend my son Jed's birthday party. His 40th (crikey!). His old funk band The Strange re-formed for the evening - first time they'd played together in 13 years ...
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Today (Saturday), which is brother Rob's birthday (he's currently working on projects in East Timor), I went to the opening, in Goulburn, of a marvellous exhibition of photographs taken by Jonny Lewis in Kiribati, a collection of islands and coral atolls that is already being devastated by the effects of global warming. We're talking about collaborating on an audio-visual piece next year sometime ...
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We have here at the moment two young German WWOOFers, Greta and Leonie. Together we've got the covered garden going again ...
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In an article - Iraq: The Age of Darkness - published today in T r u t h o u t, Dirk Adriaensens quotes William Blum:
The other day, American General Ray Odierno said that the American invasion "was for the shared ideals of freedom, liberty and justice" ...
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Tuesday September 21 2010:
Cellist Rachel Scott played my Jerrinja on her two sold-out Bach in the Dark concerts last weekend in the crypt of St James church in Sydney. Apparently it went well and the audience, as a whole, loved it.
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My favourite Snarkologist, Mahendra Singh, writes in his Just the Place for a Snark Blogspot (May 25 2010):
I can assure all North American Snarkologists that this delightful piece [Boojum!] is of ... high caliber and well worth the trip to Chicago [see here for information about a forthcoming production there]. The musical's post-colonic epithet of Nonsense, Truth and Lewis Carroll is a pretty fair summation of things, an intermingling of Snarkian and Alician themes with semi-comic relief provided by those two indefatigable fixtures of High Nonsense, Messers Dodgson and Carroll. Unlike Mike Batt's Snark (a rather turgid affair redolent of Lewis Carroll in his brief arena-rock phase), the Wesley-Smith Bros. possess the good sense to keep things light, yet never mawkish. Both lyrics and scoring are subtle enough to let Carroll's theatrical mojo work on its own, for both the Snark and the Alice books are deeply imbued with the ritual and structure of the theater and the musical builds upon that very well. And frankly, the lyrics are quite funny and the music is genuinely fun to listen to, all of it done without insulting your intelligence or even arousing the wrath of the genuinely devoted Carrollian.
CDs of the musical are available here ...
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Rehearsals are starting in Chicago this week.
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Monday September 13 2010:
I'm in Canberra, working at the National Film & Sound Archive. Amongst other things I'll be identifying bits of the NFSA's collection of some of my audio-visual materials, particularly those to do with my involvement in the East Timor cause.
Today I made a contribution to the NFSA's blog:
I first got involved in the East Timor cause after Indonesia invaded in 1975 (before that I was as concerned as many other Australians about the deaths of five journalists working for Australian television companies - the so-called Balibo Five). I started attending demos, writing letters to newspapers and politicians, and generally being an activist. But there was a limit to my involvement, for I was in a busy job (I was Lecturer in Electronic Music at what subsequently became the Sydney Conservatorium of Music), I had a young family, I was working on renovating a house, and I was trying to make my way as a composer. Partly as a way of maximising my time, I put my composition and my activism together, in 1977 coming up with Kdadalak (For the Children of Timor), for prepared piano, percussion, tape & transparencies.
Ultimately, though, for me to write powerful music I needed to be powerfully inspired by something. I still do. Learning about the massacres of Timorese citizens, about a country denied its fundamental right of self-determination, about the plunder of Timorese possessions and resources, about my government's complicity in the invasion and occupation of this "isle of fear", and so on, was the inspiration I needed for a dozen or so Timor pieces over the next quarter of a century.
Art and politics: there are countless examples of songs, "political" pieces, poems, films, photographs, plays, art-works etc created about particular situations. Very few of them have had, by themselves, much influence in effecting change, but occasionally the sum of many of them has had resounding success. I believe this was the case with pro-East Timor artistic and other activism between 1975 and 1999, especially in the dark days of the 1980s. The efforts of activists kept the issue alive when most countries wanted the situation - and the Timorese people - buried. Indonesia was too powerful, and too important to the West (and many non-Western countries), not to be appeased.
Timorese poet Francisco Borja da Costa (murdered by Indonesian troops in 1975) wrote that streams coming together become rivers and that rivers oppose whatever stands in their way. My Timor pieces were mere streams, but they came together with art-works by others, helping to create a river of change for East Timor. People power!
I hope that in my time at the NFSA I'll be able to document all my Timor pieces and explain what lay behind each one.
Tomorrow night I'm gonna be at a private function in Canberra listening to composer Elena Kats-Chernin play a piano piece she has just composed. The Australia Ensemble is playing a miniature of hers at a free lunchtime concert at the University of New South Wales in Sydney (Clancy Auditorium, 1.10pm). Also on the program: miniatures by Ross Edwards, Andrew Ford, Matthew Hindson, Raf Marcellino, Peter Sculthorpe and me (my Intervention, for clarinet & cello).
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Wednesday September 08 2010:
It's too early to know for sure, but yesterday's final outcome of Australia's recent federal election might be very good news for this country. A coalition between the Australian Labor Party, the Greens, and three independents has meant that Prime Minister Julia Gillard has kept her job. She is the first female Prime Minister ever to be elected in Australia.
There's a spirit of bipartisanship - actually, multi-partisanship - in Australia at the moment, although one can't imagine it lasting for very long (till this afternoon, perhaps?). The inclusion in government of several politicians of principle - e.g. Adam Bandt, Rob Oakshott and Andrew Wilkie - suggests that we might make some progress on various key issues ...
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My vocal group The Thirsty Night Singers is busy rehearsing for our bracket at the 2010 Kangaroo Valley Folk Festival on Oct 23. We'll be contributing to a choral concert that includes local groups The Berry Choir, Food of Love and Raised Voices.
That's Thirsty soprano Nell Britton at left.
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Have just come across an old review of a piece of mine that I don't recall seeing before. It's of a Charisma CD (Great White Noise: GWN002) that includes White Knight & Beaver, for one or two instruments & CD. Here are excerpts from the review by David Sudmalis:
... The repertoire presented on this disc is a collection of works drawn across numerous musical styles: from Paul Hindemith's light hearted miniatures Musikalisches Blumengartlein und Leyptziger Allerley, to the harmonic simplicity and rhythmic verve of Stephen Ingham's Verfranzt, and the timbral and ensemble possibilities in Martin Wesley-Smith's electro-acoustic famous work White Knight and Beaver ... an excellent collection of performances superbly captured in the studio and rendered on disc. Excellent balance, tone colour, space and spread make the disc a pleasure to listen to. I found the Julia Ryder's 'cello performance in Ingham's Frampton Elegy 2001 incredibly moving - the most delicate pizzicato, the most rapturous arco and the most subtle sul ponticello are represented here alongside some sensitive ensemble playing. Another work I particularly enjoyed was Howard Skempton's evocation of space and time in Surface Tension. The aural simplicity of the work belies the intense nature of its performance - this intensity is palpably captured by the ensemble.
Skempton's more serious miniatures are well contrasted with the final selection on the disc: Wesley-Smith's White Knight and Beaver. Perhaps something of a standard in the electro-acoustic repertoire, the work has lost none of its personable humour, vitality and playfulness, and is expertly managed by Charisma. Delicate and precise instrumental articulation match the 'sometimes humour/sometimes fury' of the tape part resulting in a performance that successfully captures and projects the eclectic nature of the composer.
This disc would be a valuable addition to those interested in expert ensemble playing with a focus on the more accessible music written in the twentieth century. Fine performances excellently recorded equal a disc worthy of listening.
[more]
White Knight and Beaver (1985) was a study for a much larger work, Boojum!, which will shortly be produced in Chicago by Caffeine Theatre and Chicago Opera Vanguard. Click here for details.
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Sunday September 05 2010:
I'm a great fan of independent news-and-comment publications that are available on line, my favourites being Truthout, Tom Feeley's Information Clearing House (click here to subscribe), David Michael Green's The Regressive Antidote (subscribe), and TomDispatch ("A Regular Antidote to the Mainstream Media"). This morning another one, Reader Supported News, brought me an excellent article from consortiumnews.com ("Independent Investigative Journalism Since 1995") titled How the Right Still Frames Iraq, by Robert Parry (Sept 01 2010). Sometimes readers' comments on these sites are as interesting as the articles. I liked one (see excerpt below) by Daniel Fletcher, commenting on Parry's piece:
In an article about former U.S. Secretary of State Colin Powell on michaelmoore.com, Powell said he believes that "... the Iraq War -- which began while he was in office in 2003 -- could have been averted":
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What? If you choose to believe obvious lies presented by politicised intelligence agencies then it's legal to go off to war, cause the deaths of over a million people, and trash a country?
Comments from readers include the following:
Scott Ritter was up here in Albany telling everyone who would listen the scientific reasons why there were no WMD. All of what he said turned out to be true.
Powell was lying then; he is lying now. One of the few truthful things he said is he did not make up the intelligence. True, it was made up by others in the Bush administration. Powell just parroted the lies. And that absolves him, or mitigates his responsibility how exactly?
What a mealy-mouthed excuse! He lied to the UN and KNEW he was lying. He knew that Saddam had caved in and offered totally free access for inspectors. He knew Hans Blix had urged time and resources to follow that up-. He knew his own crowd brushed Blix aside. If he and they had really thought there were WMDs they'd have called Saddam's bluff and if there were WMDs Blix's team would have found them and they could have been seized, averting war, mass murder, occupation and the reward of geostrategic advantage. When the Germans and Japanese committed aggression the ringleaders were hanged for this war crime. By the same token Bush, Cheney, Blair and Howard - and Powell - deserve to hang.
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Today is Fathers' Day. Later: it was incredibly windy, with trees down all over the Shoalhaven and a power blackout that lasted most of the day. Not being able to use my computer I thought I was justified, it being Fathers' Day, and me being a father and all, in sneaking back to bed for a nap. When I woke up the power was still off, so I spent several hours in the garden, weeding, composting, planting ...
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Saturday September 04 2010:
My piece Jerrinja Song (1999), for singing cellist, will be performed by Rachel Scott on her next Bach in the Dark concert (7pm Sat Sept 18 2010 in the Crypt, St James Church, King Street, Sydney). The blurb says:
Here are my notes for Jerrinja Song:
For thousands and thousands of years, Koories have lived and hunted around Beecroft Peninsula and Wreck Bay, and down in the valley submerged by the ocean that is now called Jervis Bay.
For all those years we have cared for our land and its sites, for it is Koori belief that the land falls into ruin if the sites are not properly cared for.
Now we, the Jerrinja people, have put in a claim on our traditional land on Beecroft Peninsula. Gubbahs - even our friends - come and ask us what we will do with the land when it is ours once again.
That is a Gubbah question! Land is not always something to be used or something that you do things to. Sometimes it is special land and it is enough to be part of it, to be one with it.
We sometimes look in wonder at the way Gubbahs rush around organising everything. Sometimes they even take upon themselves the responsibility of talking on our behalf without coming and consulting with us first.
We do not doubt their good intentions and we value their support. But Gubbahs, without being aware of what they are doing, have a way of trying to take from Koories what belongs to us - our struggle for our land! Over the years, we have seen this happen time and time again.
Perhaps what Gubbahs do not understand is that all things happen in their own good time. There is a time to move quickly, and a time to rest with the land while you learn what it wants of you next.
The Land and the sea, and all they hold, move with their own rhythm. The wattle blooms and the salmon travels. Koories move in much the same way.
What we expect of Gubbahs is that they recognise that the land is ours and Jervis Bay is ours - and that they learn to work in harmony with the land and sea - and us!
KOORIES: The word we use for ourselves, the people who came here first, in the Dreamtime.
GUBBAHS: The word we use for the people who started coming here 200 years ago.
This piece, which was written to accompany an exhibition of photographs of Jervis Bay by Belinda Webster, and wood sculptures by Ole Nielsen, reflects a Gubbah's appreciation of this stunningly beautiful area on the New South Wales south coast. The main motive came from Belinda's photographs of undulating sand patterns.
Last Sunday there was a performance of my piece White Knight & Beaver by clarinettist Ros Dunlop and cellist Julia Ryder at the Sydney Conservatorium of Music. Unfortunately I was unable to get there, but I've heard that the concert - featuring works by "Composers from the Illawarra" (Wollongong area) - went very well. Other composers represented included Michael Barkl, Houston Dunleavy and Steve Ingham. Houston and Steve teach in the Music Department in the Faculty of Creative Arts of the University of Wollongong - but not for much longer: the department is being scrapped and they, along with Warren Burt, my ex-colleague Greg Schiemer and others are wondering what to do next ...
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Friday September 03 2010:
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The other day I arranged a kids' song I wrote back in 1979 - Shut the Gate - for a cappella choir (SATB) and tried it through with The Thirsty Night Singers. We'll have another go at it at our next rehearsal - if it goes well then we'll include it in our bracket at the 2010 Kangaroo Valley Folk Festival (Oct 23).
Cinematic hopeful Patsy Radic (right) is one of our altos. See the film review below.
The current issue of the Kangaroo Valley Voice contains a review, by Ken Park, of the recent Eighth Annual Kangaroo Valley Buster Keaton Silent Movie Festival, which I organised:
Are we witnessing a Kangaroo Valley-led resurgence in the Australian film industry? If the success of Libby Turnock's "Blair's AntiBilious Pills" is anything to go by, perhaps so!
The movie was premiered at the Eighth Annual Kangaroo Valley Buster Keaton Silent Movie Festival, held last month in Kangaroo Valley Hall. Members of the audience hooted with laughter as they watched various local thespians demonstrating the effectiveness of this magic cure-all.
Whoever knew that Dan the Chemist was capable of such a sensitive portrayal of ... well, of Dan the Chemist? We look forward to his next role (rumoured to be in a local re-make of "Gone With the Wind").
Sarah Butler's movie "Plumbing the Depths", made for a trivia night a couple of years ago, saw the triumphant big-screen debuts of cinematic hopefuls Patsy Radic and Gary Thomas. It was a brief but entertaining examination of the perils of employing cowboys with low-riding shorts to plug your leaks.
We also saw a selection of Australian cinema ads from the 1920s and two Buster Keaton movies: "The Haunted House" and the feature film "Three Ages". Both were hilarious, especially the former.
Tickling the ivories all night, as he does at this event every year, was the excellent pianist Robert Constable. What a wonderful contribution he makes! Each year he comes to Kangaroo Valley from Auckland to play, for no fee, to help our Kangaroo Valley-Remexio Partnership raise money for its projects in East Timor.
This event started in 2003, with this year's edition being the eighth in a row. It has become a superb addition to the Kangaroo Valley cultural calendar, appreciated by all ages (including the large number of kids lying on the floor looking up at the screen).
Plans are already being made for more local contributions to next year's event, with Buster Keaton in grave danger of being upstaged. Australian movie-making is looking good!
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Saturday August 28 2010:
Came across the following in a blog by Jim Manning, dated Sunday February 8 2009:
I was cruising the net and stumbled on this photo. They are the Wesley Three made up of The Wesley Smith Twins - Martin on the Right and Peter on the Left (I think - hey they were twins). The bloke in the middle is quite well known in this town he is Adelaide Media Personality Keith Conlon. All of them pretty good blokes to my memory.
Aaaaaaah .... the 60s ... Jim got it wrong: that's me on the left. Our group made four albums (so-called long-playing records, or LPs - large flat black round discs made of vinyl) on the CBS label. The song was The Voyager by Gary Shearston.
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Wednesday August 25 2010:
The Thirsty Night Singers' gig last week at River Music, presented by the Shoalhaven Folk Club, went very well, earning us an appreciative reception. Our new song Hey Ho Cook and Rowe, by Peggy Seeger, was particularly well received. We're now working towards an appearance at the Kangaroo Valley Folk Festival, Oct 22-24 2010. We'll be sharing a concert - from 1pm to 3pm on Sat Oct 23 in Kangaroo Valley Hall - with local choirs Raised Voices, The Berry Choir, Food of Love and Malaika.
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Last Saturday I handed out Federal Election how-to-vote cards on behalf of the Greens at the Kangaroo Valley polling booth ...
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Sunday August 15 2010:
from The Suffering of Fallujah by Robert Koehler, Huffington Post, August 9 2010:
To help clean up our legacy of Agent Orange in Vietnam, for instance, Congress has appropriated $9 million since 2007. We sprayed 19 million gallons of this highly toxic defoliant on the country between 1962 and 1971, causing harm to at least 3 million Vietnamese in the process. Our sense of responsibility amounts to $3 per person. And such money becomes available only after decades of denial that we have any responsibility at all.
I think again about Fallujah. The city's suffering will haunt our national dreams for decades to come. It is our future. In a generation or so, our children will face the consequences of what we have done there; but in the meantime, we'll keep trying to buy "victory" and ultimate justification in multi-billion-dollar increments until our financial bankruptcy equals our moral bankruptcy.
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My choral piece Who Killed Cock Robin? is about the use of DDT and the harmful effects it had on the environment. It also condemns, by implication, the use of such carcinogens as Agent Orange and depleted uranium.
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Friday August 13 2010:
The vocal group I sing in and direct, The Thirsty Night Singers, is gearing up for a performance at River Music, 8pm Fri Aug 20, Nowra Golf Club, presented by the Shoalhaven Folk Club. We have an eclectic repertoire that will include, on the 20th, Hey Ho Cook and Rowe by Peggy Seeger, The Father's Song by her late husband Ewan MacColl, The Long and Winding Road by Lennon & McCartney, Sinead O'Connor's In This Heart, and the West Papuan anthem Hai Tanahku Papua. One of our members is Peter Morgan (right). Click on his pic to see the whole group.
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Monday August 9 2010:
Have been busy of late getting on last Saturday's The Eighth Annual Kangaroo Valley Buster Keaton Silent Movie Festival, with pianist Robert Constable. A fund-raiser for student scholarships in East Timor, it was a great success, the hall ringing with laughter for most of the evening as Robert accompanied Keaton's 1923 feature film Three Ages, his 1921 short The Haunted House, a selection of Australian 1920s silent cinema ads, and a couple of ads made in Kangaroo Valley, including one for Blair's AntiBilious Pills. To see Diana Jaffray's poster for the event (880KB), click here. To view the printed program, click here.
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It's now less than two weeks before Australia votes in the Federal election. While the Australian Labor Party deserves to be trounced, the thought that the conservative coalition, under Tony Abbott, might regain government - a real possibility according to recent polls - is almost too much to bear. Support for the Greens, who have been polling well, has started to slip ...
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Wednesday July 21 2010:
I've just read a book - A Woman Among Warlords (Scribner, New York, 2009) - by Afghan human rights activist Malalai Joya. Elected to the Afghan parliament but suspended for upsetting powerful and corrupt warlords, the incredibly brave Ms Joya, who has survived several attempts on her life, must constantly be on the move as she works to promote true democracy, and women's rights, in Afghanistan. In this inspiring book, she is withering in her condemnation of the Western countries that invaded her country. One can only wish that politicians like Julia Gillard would read this book, for surely they would reconsider their policies and withdraw their troops immediately (although the other, hidden agendas at play would no doubt prevent this).
Conventional wisdom has always been that the Afghan war is a "good war" while Iraq is a "bad war". I don't believe that there was ever any reasonable justification for the invasion of either country. Both invasions were illegal under international law; each has been a disaster for the people and the invaders (especially American soldiers); the dollar cost has been huge; rather than reduce terrorism the invasions have increased it; in many areas the natural environment has been devastated; women's rights have gone backwards; heroin production has increased dramatically; there's now a refugee problem that didn't exist before ... and so on, yet still the USA pours in more troops. It is madness - criminal madness - yet the perpetrators, including the Australian Prime Minister at the time John Howard and his henchpeople, continue to escape sanctions.
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Monday July 19 2010:
Saturday was the tenth anniversary of my last day working at the Sydney Conservatorium of Music, where I established, and ran for twenty six years, its Electronic Music Studio. Getting the job there was one of the best things I ever did; leaving it was one of the next best things I ever did. I then moved to Kangaroo Valley - one of the most beautiful locations in New South Wales - where I compose, put on fund-raising concerts, keep a few stray animals (two horses, a donkey, an alpaca, six chooks, a duck, a dog etc) and attempt to grow vegetables ...
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The recent death of another friend of mine is a reminder me that whatever else happens, the Clock continues to tick ... Sydney lawyer Ken Tribe, who died the other day in his late 90s, was a great supporter of music in Australia, particularly of the chamber music organisation Musica Viva. I met him when I was a member of the Australia Council's Music Board, of which Ken was chairman, in the late 70s. A most charming and cheerful man, he was always ready to help any musician or composer with a legal (or other) problem. He will be greatly missed by many people.
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Nancy Frazier O'Brien, of the Catholic News Service, writes "The Vatican's decision to declare the attempted ordination of women a major church crime reflects 'the seriousness with which it holds offenses against the sacrament of holy orders' and is not a sign of disrespect toward women, Archbishop Donald W. Wuerl of Washington said July 15 ... The archbishop, who chairs the U.S. bishops' Committee on Doctrine, spoke at a news briefing in the headquarters of the U.S. Conference of Catholic Bishops hours after the Vatican issued new norms for handling priestly sex abuse cases and updated its list of the 'more grave crimes' against church law, including for the first time the 'attempted sacred ordination of a woman.'"
It seems that attempting to ordane a woman is a crime as grave as raping her, or raping a child. Nice one, Pope! Ophelia Benson - a self-styled "great believer in the non sequitur" - has posted a suitably scornful response here (Butterflies & Wheels blog).
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Monday July 12 2010:
I was saddened to read the other day that English composer David Fanshawe died on July 5. I met him a few times when he lived for a while in Sydney in the late 80s, I think, and was impressed by his energy, his delightful eccentricity, and his innovative and idiosyncratic approach to, amongst other things, sound recording. His best-known work is African Sanctus, which has been performed many times all over the world. But ultimately he will be remembered mainly for his ethnomusicological recordings, particularly of the musical traditions of the Pacific.
Read a biographical blurb about him here.
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Thursday July 8 2010:
I'm currently organising The Eighth Annual Kangaroo Valley Buster Keaton Silent Movie Festival, with pianist Robert Constable. A fund-raiser for student scholarships in East Timor, it will be at 7.30pm on Saturday August 7 in Kangaroo Valley Hall. To see Diana Jaffray's poster for the event (880KB), click here.
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Out of the woods: last Tuesday I had a PET scan at Royal Prince Alfred Hospital in Sydney. On Wednesday I took the results to oncologist Prof Philip Clingan in Wollongong. He concluded that there is no evidence of any cancer and that therefore there is no immediate need for further chemotherapy, although I will need to be monitored fairly closely for a while. Good news! I'm incredibly grateful for the excellent treatment and care I've received since this thing was diagnosed earlier this year. I still get tired easily, a result of a low haemoglobin count, which is a side effect of chemo. To push it back up I'm taking iron pills, amongst other things, and eating foods that have high iron content.
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Saturday July 3 2010:
I'm currently focussing again on Peter's and my full-length choral music theatre piece Boojum!, which is scheduled for a production in Chicago in November-December this year. Am re-digitizing the score. Boojum! was first produced, as a sort of musical comedy, by State Opera of South Australia at the 1986 Adelaide Festival of Arts. A subsequently re-written version has received several productions, including one by the Newcastle University Choir and a couple in the USA (La Jolla, Pasadena) during the 1990s. In 1991 it was brilliantly recorded for CD by the Sydney Philharmonia Motet Choir, conducted by John Grundy (available for purchase here).
Last year a book by Anthony Steel, the Director of the 1986 Adelaide Festival, was published (Painful in Daily Doses, Wakefield Press, Adelaide, 2009). He talks about this production of Boojum! and one in Brisbane in 1988. Now I have no wish to revive the bitter controversies of the early days of the work, but I vehemently disagree with almost everything he says and feel that I must defend myself. I will do this in detail elsewhere. For now let me say that Mr Steel had no direct experience of what he writes about, his claims are plain wrong, they are presented with zero evidence, and they are probably defamatory ...
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Thursday July 1 2010:
The on-line classical music site MusicWeb International contains a review, by Jonathon Woolf, of the Tall Poppies CD of my chamber music Merry-Go-Round. Read it here. Excerpts:
[more]
Buy the CD here.
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Since I last blogged, Australia suddenly found itself with a new Prime Minister, Julia Gillard. While I'm delighted that a woman has reached the pinnacle of politics here, I'm appalled at the ruthless way previous PM Kevin Rudd was rolled. While Rudd let us down badly in some areas, he did some great things and didn't deserve to lose his job just two and a half years into his first term.
One of the first things the new PM did was call President Obama to assure him that Australia was right behind the USA in the illegal occupation of Afghanistan, despite our rising casualty count. Then I saw one of our defence chiefs, Angas Houston, say on television that we're in Afghanistan partly because Australians were kiled in the 2002 Bali bombings. Er, why didn't we invade Bali, or Java, then? As far as I know there was no connection, other than an ideological one, between the Bali bombers and Al Quaeda in Afghanistan. At any rate, the war there is against the Taliban ... For an excellent read on the current state of things in Afghanistan, see Ann Jones' article Counterinsurgency Down for the Count in Afghanistan. Many more people - invaders and locals - will die before Obama and his sycophants manufacture a way to withdraw while claiming "peace with honour" ...
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Last Friday I went to see my oncologist, Prof Philip Clingan (based in Wollongong). Good news: he said that apart from some fluid in my right lung ("moderate right pleural effusion") my lungs are clear with no evidence of cancer cells there or anywhere else - although he recommends I have a PET scan (at RPA in Sydney) to be sure. I was worried about the increasing breathlessness I've been experiencing lately: he says that that's a result of a low haemoglobin count (due to the chemo) and that I should therefore take multivitamin pills and iron pills. There is no need at this stage for me to have any more chemo - hoooraaaaaay!! I went home, swallowed some vitamin pills and ate some red meat. It looks like I'm gonna live!
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Monday June 21 2010:
The CD Jewel, which includes a version of my Beta-Globin DNA, can be purchased through Move by clicking here. Beautifully performed by Beth Holowell (violin) and Robert Constable (piano), the CD also contains Winamin by Michael Whiticker, Sonata for Violin and Piano by Don Banks, Irkanda by Peter Sculthorpe, The Ludlow Lullabies by Vincent Plush, Sonata for Violin and Piano by Margaret Sutherland, and Jewel by Robert Constable.
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I'm organising this year's Annual Kangaroo Valley Buster Keaton Silent Movie Festival, the eighth since we started doing 'em in 2003.
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Saturday June 19 2010:
Two letters of interest from today's Age newspaper (Melbourne):
1. Conroy's hypocrisy
We haven't heard a word from Senator Conroy about this gross invasion of privacy. Has he succumbed to political laryngitis?
Thos Puckett, Ashgrove, Qld
Australia's Labor Government deserves to be thrown out on its ear for even thinking of censoring the internet, or using it to snoop on its citizens, even though the alternative - Tony Abbott and the Liberal-National Pary Coalition - would, IMHO, be even worse ...
2. The West's hypocrisy, or Indonesia's many Bloody Sundays
Yale Law School's Allard K. Lowenstein International Human Rights Clinic has documented just one of these massacres. On July 6, 1998, Indonesian troops shot and raped civilians on the island of Biak and arbitrarily arrested and tortured more than 150. Many men like Nikodemus Smas, Daniel Mandowen and Ruben Orboy were beaten, shot and killed. Filip Karma was shot in both legs, beaten and is still in jail.
Women and girls like Martha Dimara were taken to one of the warships moored off Biak, where they were raped, beaten, mutilated and killed, then thrown into the sea where their bodies were recovered later. At least 38 bodies that could not be identified were recovered.
We won't hold our breath for Indonesia to conduct investigations; even now it is conducting "sweeping" operations in the highlands against its own citizens. More Bloody Sundays.
Peter Woods, Bittern
Meanwhile, the US-based ETAN (the East Timor and Indonesia Action Network) reports that the new Kopassus Number 2 helped form militia in East Timor in 1999:
[US journalist] Allan Nairn told the US Congress on September 30, 1999, that "Nugroho, who was the on the ground coordinator for the militias in the initial months of their operation," was a graduate of U.S. IMET and intelligence training.
It seems that nothing changes for the better re the TNI and its murderous Kopassus.
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Friday June 18 2010:
Sheila Draper has made a strong recovery from surgery after she broke her hip in a fall, and has been transferred from Canberra Hospital to one near her home in Batemans Bay, NSW.
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I've started arranging, for choir, a cappella, a beautiful Ewan MacColl lullaby called The Father's Song with a view to our choir adding it to its repertoire. I found it in The Essential Ewan MacColl Songbook, compiled and edited by Peggy Seeger, Oak Publications 2001.
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Friday June 11 2010:
Yesterday was my twin brother and lyricist/librettist Peter's birthday. He's currently in Hong Kong on his way to London, where he will be doing research for a seminar paper he'll be giving in Hong Kong and Macau in October.
In November he and I will both be in Chicago for a production of our full-length work of choral music theatre Boojum!.
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On Wednesday I started the fourth and final course of the chemotherapy I've been having. Going OK.
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Yesterday my 88-year-old aunt, Sheila Draper, had a fall and broke her hip. She was operated on in Canberra Hospital, with little hope that she would survive - but she did. More news as it comes to hand ...
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